I quite like doing an end of year roundup, as much to remind myself what I’ve done as to shout about it to other people (thanks for reading). 2019 has been a very crazy year that started off slowly but by the end of it felt like a steam train that couldn’t be stopped. It has been fun but also really tiring. The biggest highlights have been releasing my second album Entangled and running 25 concerts as The Night With… along with a lot of traveling and seeing new places.
2019 in Numbers
January
The year started with sitting on a panel called Cross Border: Musicians Without Borders at the Association of British Orchestras 2019 conference in Belfast. I also attended my first Cross Party Group on Music meeting at the Scottish Parliment chaired by Tom Athur.
February and March
These months were mostly spent biting my nails waiting for funding to come in and planning for things later in the year.
April
May
On a non-music note, had a flying lesson in a Cessna! My parents bought me it for my birthday in 2018 but it took a while to arrange because of the weather.
I released Unda Malacia as a single.
July
August
This is where The Night With… kicks off with 11 concerts in two weeks part of the Made in Scotland showcase at the Edinburgh Fringe and the start of the main season. The concerts were by Turning the Elements, Duo van Vliet and Tom Poulson, Danielle Price and Timothy Cooper. All the nail biting in February and March paid off and The Night With…’s 2019 season gained support from Creative Scotland, PRS Foundation, NI Arts Council, Hugh Fraser Foundation, The Fenton Arts Trust and the RVW Trust to make it all happen.
The first single from Entangled was released, the third movement of my Quartet No. 4.
September
October
Garth Knox performed my Solo for Viola D’amore and Electronics in Glasgow, Edinburgh, Aberdeen and Belfast. The Belfast concert was part of the Belfast International Arts Festival.
This was also the month Entangled was released. This is an album that started life in 2018 with a commission from the Institute of Physics for the NI Science Festival and was helped to fruition by Creative Scotland and Help Musicians. Its been hard work but I’m really pleased with it and the reviews it has been getting like ‘It is refreshing to encounter a composer making albums with new classical music in this way, for when used imaginatively the format still has much to give.’ from Arcana FM
Also went to Womex to experience the music industry from a sligthly different angle than I have been used to. Was rather interesting and I went to the Moomin Museum.
November
Gave a talk to students at Livepool John Moores University Screen Department on music in film.
Was interviewed on Resonance FM about Entangled
Ran The Night With…’s 2019 call for scores along with three concerts. These ones were with the Hermes Experiment and they premièred Matthew Grouse‘s Daily Rituals.
Music Finland invited me to Helsinki to talk to composers on self-promotion as part of DefunEnsemble‘s 10th Birthday. The session had to be moved because my flight was cancelled. John Harris of Red Note was also invited for a different panel session but he suffered the same fate so we ended up doing a two handed session together on shared experiences that was really interesting and fun to do and I hope those who attended found it useful.
December
Looking forward
There are already a few things planned in 2020. On the 10th January the Aurea Quartet première my Quartet No. 6 at a concert in the Royal Conservatoire of Scotland, I’m giving an Exchange Talk on my work on the 13th Jan at RCS, in June I’ll be in New York again writing a new piece for Pauline Kim Harris and August I’ll be in Australia for the Australian première of Rama with Ensemble Offspring. Plans are well underway for The Night With… 2020 as well but we are at the nail biting stage for that as well. Cross your fingers and see you at a concert in 2020! And in tomorrow’s Scotsman they publish an interview with me as one of their Ones to Watch of 2020 🙂 .
Oh and do listen to Entangled 🙂